The witches of Kabul
Source: https://event.newschool.edu/readingmujibmehrdaddavejohnson
"Wednesday, November 20, 2024, 6:00PM to 7:00PM (EST)
The Witches of Kabul: A Reading with Mujib Mehrdad and Dave Johnson
Room A-407, 4th floor
66 West 12th Street
The Witches of Kabul, the premiere reading of the new play by Mujib Mehrdad and Dave Johnson, is based on their co-translation and stage adaptation of Mehrdad's novella of two promising, young female university scholars whose lives are upended during the collapse of the Afghan government and the violent return of the Taliban to Kabul from 2015 to the present.
Presented by the Creative Writing Program at the Schools of Public Engagement."
Mehrdad, likely referring to Mujib Mehrdad
Who is Mehrdad Fallah?
"Mehrdad Fallah (b. 1960) is one of the most influential Iranian poets of recent decades. The author of ten books of poetry, Fallah has also published a translation of Allen Ginsberg’s Howl and a collection of critical essays on contemporary Iranian poetry." - Source: https://worldliteraturetoday.org/author/F
What is Mehrdad Fallah's famous novella?
Shenbian (1984)
Source: https://www.poetryinternational.com/en/poets-poems/poets/poet/102-19642_Fallah
"Biography
Mehrdad Fallah comes from Northern Iran. He was born in 1960 in Fashoo Poshteh – “a small village . . . five fingers away from the Caspian”, as he writes in his autobiographical poem ‘Let’s get some fresh air’ – somewhere between Langerood and Lahijan in the province of Gilan. He discovered his love of reading and writing poetry in his teens at high school.
In 1976 Fallah went to study in Tehran, where he became acquainted with the many bookshops of the capital and the contemporary Iranian poetry scene. The next few years ushered in the surge of revolutionary fervour in the universities against the Shah’s dictatorship, which interrupted his poetry for two to three years. With the establishment of the Islamic Republic and its ‘Cultural Revolution’, universities began to be purged of dissenting voices. Fallah was caught in this wave of university expulsions and could no longer complete his degree in Communications Engineering.The period that followed was marked by a disillusionment with politics and Fallah’s all the more earnest return to poetry. The poems he wrote in this period were collected in his first collection, Suspension, published in the autumn of 1984, and reflect the mood of the time. There are dark undercurrents throughout this first book, with a kind of fatalism and philosophical despair running through the best poems of the collection. This ran counter to the prevalent tone of revolutionary optimism and humanism of the poetry of the time and became a distinguishing mark of his work.
A year after the publication of his first book, he married Heideh Peer Fekri, to whom he has been married now for 26 years. They have a son and a daughter.
His second book, In the Best Waiting, was published in 1992 and impressed the poetry circuit, including some leading poets and writers including Sepanloo, Hoghooghi and Golshiri. In the short poems of this book we confront clear and figurative language and imagery. With realism, Fallah deals with subjects such as time and death.
In fact, in the period between his first and second books, literary publications had begun to multiply in Iran, and Fallah published many of his poems through these publications, proving himself a prolific poet. In this period of growth, Fallah studied contemporary Iranian and international arts and researched classical Persian poetry. His interests were not confined to poetry but also extended into fiction, cinema and painting. Socialising with artists from all genres expanded the horizons of his poetry. Fallah’s poems of this period were electronically published in a book called This Precipitous Dream and distributed via the Internet. Overall, one can say that Fallah’s first three books represent stages in his connection with the modern poetry (New Poetry) of Iran. In his later books, we witness a departure from the aesthetics of modern poetry.
Fallah’s collection of poems Four Mouths and One Gaze was published in the autumn of 1997, a year or two after the emergence of a new generation of Persian poets including Ali Abdolrezaei and Abolfazl Pasha. These poets had created a stir by reading innovative and audacious poems to poetry reading groups and associations, and were beginning to lay the foundations of their new aesthetics.
Following the publication of Four Mouths and One Gaze, Fallah and friends of his generation began to expound and explain this new gaze and the new aesthetics operative in their work, through writing articles and giving talks in the literary and academic circles at the time. By announcing the birth of the ‘Fifth Generation’ of modern Persian poetry in his articles, Fallah put himself forward as the spokesman for the new generation of poets.
Arguably, the most important poem of Four Mouths and One Gaze is the title poem, a long piece simultaneously narrated by several voices. Fallah himself considers this poem to be representative of hidden microphones or cameras planted in someone’s head, capturing whatever goes on without explanation or evaluation.
Such writing was unprecedented in Persian poetry. This material, together with his articles, his strong presence in the media and his subsequent collection I’m Becoming a Crow Again (published in 1999) brought Fallah significant renown. In an interview about the latter collection, Fallah explained that the book took him back to how he originally wanted to write poetry. The varied tones of speech and the live rhythmical language mixed with social and philosophical satire and his original narrative style attracted considerable reviews and commentary. Fallah himself believes the key characteristic of these poems, and poems inspired by them, is the setting aside of the “I of the poem” which typically dominates in earlier Iranian poetry. The new I in the poem, in contrast to the previous I of the poem, who was always prophetic and idealistic, is now a multiple I in crisis. It would be no exaggeration to rank I’m Becoming a Crow Again and Ali Abdolrezaei’s Paris in Renault as the most influential collections on the new generation of Iranian poets.
The title poem of Fallah’s subsequent From Myself (2001) further tried to the render the ‘self’ through peeling back its the psychological and social masks, exposing its multiplicity and contradictions. This and other poems from the collection are redolent with black humour and critical gaze.
As of early 2011, no book has been printed in Fallah’s name since this last collection. This could be because the highly conservative atmosphere dominating Iran in the latter years has unfortunately led to a dearth of risk-taking publishers of poetry. This has been compounded by the regime of government censorship which presides over the publishing industry in Iran.
Nevertheless, Mehrdad Fallah’s next book, Let’s Get Some Fresh Air, was published electronically in 2009 by poetrymag.net. It consists of six long poems and a few short poems, which Fallah considers to be the closure of his second poetic phase. The most original and daring poem of this collection is ‘Arc of Ma(jnu)N’, the title of which encompasses three permutations of Arc of Man (or ‘me’ in Persian), Arc of Jnun (‘madness’), or Arc of Majnun (a Romeo-like figure of Persian literature). In this long poem Fallah employs arrows and graphic shapes, guiding the reader’s eyes through the text, and one can return to read the poem again in a different way. As Fallah puts it, “It’s as if we write one poem but we can read several.” It is not surprising that Fallah considers this to be the fallopian tube of his later, concrete poems. He calls them ‘khaandidani’, a portmanteau word made up of seeing and reading, a cross between readable and spectacular – literally translated, ‘spectacureadable’), rather like Appollinaire’s calligrammes.
Calligrammatic poetry has preoccupied Fallah since 2005. Fallah has published these on his blog to reach his audience. The most famous of this genre is his ‘Valieasr Street’. This calligramme visually reconstructs the long main street of that name in Tehran using textual calligraphic elements. This poem has instigated a lot of discussion, with both advocates and detractors. Fallah himself has written articles and joined the debate to argue for the advantage of this style of concrete as opposed to linear poetry.
Certainly, Fallah has left behind some of the fans of his earlier poetry, who think that with his concrete poetry Fallah is turning his back on the poets of his generation. But Fallah is not convinced by this view, arguing that this kind of poetry is a natural development influenced by today’s hybrid media culture. According to Fallah, “If we consider the poem as a living and dynamic entity, like all other living entities, it is constantly changing and shedding skin. Yes, these poems perhaps do not fit into the mould of poetry as written so far, but it is an attribute of creative poetry to break set frames and moulds. That which shows off its poetic appearance is not a poem, it is a quasi-poem. From my point of view, the poet should work with whatever opportunity lends itself to make the poem more multifaceted. I don’t like repeating myself. When a poem calls on me, I would like it to throw me somewhere I have not seen before. I let language make me its playmate.”
Elsewhere he explains, “The ruling powers in the cultural sphere are always determined to ensure cultural, intellectual and artistic activities fit into predefined and recognised frameworks in order to protect their hegemony. In this way they can predetermine what constitutes art, ideas and culture and what does not. [ . . . ] If seeking the new and writing the new is an unquestionable value, the main reason is to overcome the hegemony and to break the barriers within which this hegemony wants to confine everything. In addition, in poetry the thing that excites the creator is treading the unknown territory and its borders. Otherwise, writing poetry becomes like office work or school work. [ . . . ] in progressive poetry we have no alternative but creativity that is a discovery of connections, bonds, forms which have not been found before in which ever field. If I just mix a few verbal or visual clichés, what else am I doing other than spreading pre-existing cliches? Creative art that is critical breaks the clichés of form and content. In fact, art of the mainstream is itself a banality of which it is the job of the progressive artist to expose and to break.”
What most strikes the eye in considering Fallah’s career is his search for new writing and new experiments. Undoubtedly, we can count Fallah as a poet who speaks his mind through his search into unknown realms and discovery of new forms. He keeps inviting poets of his generation to innovation and experimentation and believes that the creative poet should not enslave himself to the illusion of appealing to a mass audience through poetry. He thinks of mass audience as a media concept and shares the belief of Jorge Louis Borges, the Argentinian poet, that the poet is someone who is imprisoned in an ivory tower, writing a letter to someone else who is also imprisoned in an ivory tower.
© Abol Froushan
Bibliography
Suspension, Azad Nashr, Tehran, 1984
This Precipitous Dream, 1988
From Myself, 1990
In the Best Waiting, 1991
Four Mouths and One Gaze, 1994
I Am Becoming a Crow Again, 1999
Let’s Get Some Fresh Air (selection of poems 2001–2004) poetrymag.net, 2008
"
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125.
Titel: Szeplőtelen Szűz Mária
This is a story from my father's father. He was born in a rich family, on one side, one of the most important Lawyer families in Budapest on Dohány Street. On the other side Polish noble family.
Because of the Holocaust, his mother gave him away when he was 1,5 years old to a family far, far in the countryside. They were a Catholic family, and he became the 9th child of the family.
He loved his stepbrothers and stepsisters.
One of his sisters got married, and after the ceremony, the Catholic abbey asked her to stay for a blessing.
The abbey raped her. This was the blessing.
My grandfather became unspeakably angry at the abbey, and he spent the rest of his life as an atheist. (2025)
Painter: Melinda Erika Dothan
124.
Title: Liliomtipró. You are not allowed to tear down a flower.
It means to rape someone, and you are not allowed to rape someone.
When my grandmother lived in Brooklyn in the 1990s, one of the worst things she had to acknowledge was that in very super ultra orthodox communities, they issued secret internal documents about internal rules...
One of the rules said that a religious person can rape a 4-year-old girl, if she is a goy...
My grandmother wanted to vomit from this for years... (2025)
Painter: Melinda Erika Dothan
123.
Title: When the reform style of Judaism took a new direction. Women wanted to be men. They wanted to be Abraham, not by outlook, but by having numerous husbands.
They wanted to make as many kids as stars in the sky. They changed the men, till they only lived for the hospital birth and natal department...
The secret for 5 kids from 4 husbands (2025)
Painter: Melinda Erika Dothan
122.
Title: Are you from Island?
No! No! No!
What would an Islander answer?
Beee beee beee = in in in in in (2025)
Painter: Melinda Erika Dothan
121.
Title: vacation in Heviz (2025)
Painter: Melinda Erika Dothan
120.
Title: lemon cake (2025)
Painter: Melinda Erika Dothan
119.
Title: How many legs do you need? (2025)
Painter: Melinda Erika Dothan
118.
Title: what is inside the football? (2025)
Painter: Melinda Erika Dothan
117.
Title: goat milk, horn and the tools (2025)
Painter: Melinda Erika Dothan
116.
Title: Who is the owner of the owner? Me (2025)
Painter: Melinda Erika Dothan
115.
Title: when some Bulgarian origin girls believe they were Lamia…(2025)
Painter: Melinda Erika Dothan
114.
Title: Madam Anes / Anas vej på Søsum (2025)
Painter: Melinda Erika Dothan
113.
Title: We found it at the corner of the mall. This is Beetlejuice’s lost cat… her name is the puffancs macska (2025)
Painter: Melinda Erika Dothan
112.
Title: Marta fra Kundeservice, the robot's advice… contact your personal adviser...
My answer: Jó, Jó (2025)
Painter: Melinda Erika Dothan
111.
Title: The witch who traveled with little empty bag, lost her broomstick,
and landed on the empty head (2025)
and landed on the empty head (2025)
Painter: Melinda Erika Dothan
110.
Title: Dental demon (2025)
Painter: Melinda Erika Dothan
109.
Title: The dental troll’s teeth collection (2025)
Painter: Melinda Erika Dothan
108.
Title: This is not a tooth fairy, she is dental fairy (2025)
Painter: Melinda Erika Dothan
107.
Title: The biciklis boszi fra Hellerup (2025)
Painter: Melinda Erika Dothan
106.
Title: The cunci mókus from Charlottenlund (2025)
Painter: Melinda Erika Dothan
105.
Title: The lady with the black dog (2025)
Painter: Melinda Erika Dothan
104.
Title: The girl with the white cat (2025)
Painter: Melinda Erika Dothan
103.
Title: The woman in blue dress on the canapé (2025)
Painter: Melinda Erika Dothan
102.
Title: Szaba (2025)
Painter: Melinda Erika Dothan
101.
Title: Safta (2025)
Painter: Melinda Erika Dothan
100.
Title: Art Nouveau Brussels 1897 inspired (2025)
Painter: Melinda Erika Dothan
99.
Title: Træsko, White with flowers when I worked as a Healthcare Assistant (2025)
Painter: Melinda Erika Dothan
98.
Title: Amagerhylde (2025)
Painter: Melinda Erika Dothan
97.
Title: Dalahäst (2025)
Painter: Melinda Erika Dothan
96.
Title: Manglebræt (2025)
Painter: Melinda Erika Dothan
95.
Title: Dvojnice (2025)
Painter: Melinda Erika Dothan
94.
Title: when the system is so f*cked up that witch hunters are selling themselves as nurses in the hospital to toucher others during birth-giving
Horror!!
Their witch license must be erased NOW!!! (2025)
Left hand painted
Painter: Melinda Erika Dothan
93.
Title: Go to music school! (2025)
Left hand painted
Painter: Melinda Erika Dothan
92.
Title: X Y and the witch 🧬(2025)
Left hand painted
Painter: Melinda Erika Dothan
91.
Title: how to fall asleep, instead of counting sheeps (2025)
Left hand painted
Painter: Melinda Erika Dothan
90.
Title: how to master mountain magic, the queue at the autogrill in the Dolomites … fruitful meeting, how the olives are made (2025)
Left hand painted
Painter: Melinda Erika Dothan
89.
Title: sunbathing (2025)
Left hand painted
Painter: Melinda Erika Dothan
88.
Title: when the trolls learned how to trick the witches.
Golden toilet, the time when witches wee in public (2025)
Left hand painted
Painter: Melinda Erika Dothan
87.
Title: when the Bulgarian learns how to open her mouth big,
and stops to be afraid from the fairies (2025)
and stops to be afraid from the fairies (2025)
Left hand painted
Painter: Melinda Erika Dothan
86.
Title: how to make twins, one boy, one girl (2025)
Left hand painted
Painter: Melinda Erika Dothan
85.
Title: how paint with left hand (2025)
Left hand painted
Painter: Melinda Erika Dothan
84.
Title: tetű (2025)
Painter: Melinda Erika Dothan
83.
Title: That’s happening if you take your chihuahua instead of the cat on a flight... (2025)
Painter: Melinda Erika Dothan
82.
Title: It was kind of me in 2015. It is in the memory the without fashion b*aches who were shit jealous!!! And humiliated me million times. So 10 years later they can look 10% of my style like when I came to Denmark
🤮 (2025)
Painter: Melinda Erika Dothan
81.
Title: pool party with ice cream (2025)
Painter: Melinda Erika Dothan
80.
Title: Who is coming? (2025)
Painter: Melinda Erika Dothan
79.
Title: ducky in the pool party (2025)
Painter: Melinda Erika Dothan
78.
Title: nyalifali and husimusi, how to ride your dragon second edition (2025)
Painter: Melinda Erika Dothan
77.
Title: fiver fire, rontom bontom (2025)
Painter: Melinda Erika Dothan
76.
Title: different preferences (2025)
Painter: Melinda Erika Dothan
75.
Title: Mirror, mirror… but who is happy??? (2025)
Painter: Melinda Erika Dothan
74.
Title: Candy (2025)
Painter: Melinda Erika Dothan
73.
Title: I know it better, I tell you what… (2025)
Painter: Melinda Erika Dothan
72.
Title: silent (2025)
Painter: Melinda Erika Dothan
71.
Title: 5 years shit with stole (chair) (2025)
Painter: Melinda Erika Dothan
70.
Title: Slug 82025)
Painter: Melinda Erika Dothan
69.
Title: a student, who was once Ukrainian, from Odessa.
A person I thought was a friend, but her mother poisoned her heart (2025)
A person I thought was a friend, but her mother poisoned her heart (2025)
Painter: Melinda Erika Dothan
68.
Title: hamsa (2025)
Painter: Melinda Erika Dothan
67.
Title: What is the question?? Organs in pairs. And not getting orgasm in pair… (2025)
Painter: Melinda Erika Dothan
66.
Title: The Vesicae urinariae is not the same as Vesica biliaris!
In English the Urinary bladder is different from the Gall-bladder!!!!! (2025)
Painter: Melinda Erika Dothan
65.
Title: Sport (2025)
Painter: Melinda Erika Dothan
64.
Title: Moulin Rouge, Paris, France (2025)
Painter: Melinda Erika Dothan
63.
Title: Dishwasher (2025)
Painter: Melinda Erika Dothan
62.
Title: One type of the Nordisk doctors. When in the middle of my pregnancy, I had to change my family doctor, as she was not ready to talk about Kegel therapy after giving birth as a recovery process.
The only one proper and ethical way to train your p*ssy is at the red light to hold back the w** (2025)
Painter: Melinda Erika Dothan
61.
Title: How was paprika powder and cream used to punish women and kids? In Hungary and in Africa? And the horror pain of those people… (2025)
Painter: Melinda Erika Dothan
60.
Title: Nordisk p*ssy a 100 years ago. Some. Not everything is wine that is red, and not every blood is period. Story from Henrik Ibsen (2025)
Painter: Melinda Erika Dothan
59.
Title: Kegel weights (2025)
Painter: Melinda Erika Dothan
58.
Title: How it feels when people take credit for my work, and
they believe they are amazing… but actually not…
They are only thief. (2025)
Painter: Melinda Erika Dothan
57.
Title: Hungarian heritage (2025)
Painter: Melinda Erika Dothan
56.
Title: Mossál kezet vagy megfogom a csecsed. It means wash your hands, or I will catch your boobs. Manus manum lavat. Religious education from my great-grandmother... when I was around year 10...
Jezus... I do not know... (2025)
Painter: Melinda Erika Dothan
55.
Title: in memory of a friend from archery who studied to
be a pharmacist and made her shaman drum (2025)
Painter: Melinda Erika Dothanbe a pharmacist and made her shaman drum (2025)
54.
Title: When people tell me, you don’t know what means suffering (2025)
Painter: Melinda Erika Dothan
53.
Title: how to study to talk with animals… my grandmother tied me to a pine tree… so I can talk with the pigeons till she talks with her friends…
And my mother?
She was progressing with her medical university education… (2025)
Painter: Melinda Erika Dothan
52.
Title: The Flying Turtle. Was it worth to fly??? (2025)
Painter: Melinda Erika Dothan
51.
Title: Libido bubidi with the three tongs. How to be accepted… (2025)
Painter: Melinda Erika Dothan
50.
Title: A szipirtyó, or bloody witch. Do you want salad? The boat hat one. (2025)
Painter: Melinda Erika Dothan
49.
Title: The bestie of the witch in Odense (2025)
Painter: Melinda Erika Dothan
48.
Title: The witch from Odense, specialising in kids books publishing (2025)
Painter: Melinda Erika Dothan
47.
Title: “You have to mature.” This was an order or critique from a pharmaceutical company’s employee during her “mentoring” of me on how to get a job in that company… The view of the microscope about her… this is she… (2025)
Painter: Melinda Erika Dothan
46.
Title: More comfortable traveling, on the back of the wind prince, #witchselfie (2025)
Painter: Melinda Erika Dothan
45.
Title: When the two Slovenian witches visit their Swedish witch friend for a coffee. And the Swedish broomstick got too bossy and orders the fishes (who are the flying devices for the Slovenian witches) to harvest blueberries at the end of the garden.
Why did the broomstick get angry at the fishes... ? (2025)
Painter: Melinda Erika Dothan
44.
Title: Old friends (2025)
Painter: Melinda Erika Dothan
43.
Title: The lazy clown, who never mastered the drum show, as she wanted to become a ballerina in the Swan Lake ballet. But because the elephant head mountain witch always steps in front of her.
The maximum she managed to become a duck and swim in the backyard’s mini pool. (2025)
Painter: Melinda Erika Dothan
42.
Title: When lifesaving is your career and no makeup is needed (2025)
Painter: Melinda Erika Dothan
41.
Source: Title: When a mole dreamed about to be a president,
and he became a war troll. Then the giant
p*ssy commando arrived to rescue the world (2025)
Painter: Melinda Erika Dothan
40.
Title: When the turtle skin hat witch’s love potion
was so good that she became a nurse (2025)
was so good that she became a nurse (2025)
Painter: Melinda Erika Dothan
39.
Title: When the elf-mermaid finished the beer challenge
and the vampire orders one more round (2025)
Painter: Melinda Erika Dothanand the vampire orders one more round (2025)
38.
Title: the troll of Lillehammer to stop the tourists (2025)
Painter: Melinda Erika Dothan
37.
Title: gyökér királylány / root princess (2025)
Painter: Melinda Erika Dothan
36.
Title: Az odvas fa boszorkánya / the witch of the hollow tree (2025)
Painter: Melinda Erika Dothan
35.
Title: Can it be the reason for the need for more healthcare workers?
When the chocolate factory is closed, the nisse learns health care, and death comes alive… (2025)
When the chocolate factory is closed, the nisse learns health care, and death comes alive… (2025)
Painter: Melinda Erika Dothan
34.
Title: Insurance company’s employee (2025)
Painter: Melinda Erika Dothan
33.
Title: How big do you want? (2025)
Painter: Melinda Erika Dothan
32.
Title: I don’t know, I don’t know, I don’t know (2025)
Painter: Melinda Erika Dothan
Title: Are you sleeping? Not like that! I will tell you! (2025)
Painter: Melinda Erika Dothan
30.
Title: Just one more drop (2025)
Painter: Melinda Erika Dothan
29.
Title: The smoke of the nights (2025)
Painter: Melinda Erika Dothan
28.
Title: Keep your broomstick up, when you don’t use it (2025)
Painter: Melinda Erika Dothan
27.
Title: In memory of young witches from 2005,
Who believed they are the top of everything… and they can be ugly with anyone without any consequences…
I was forced to restart… I found my way (2025)
Painter: Melinda Erika Dothan
26.
Title: What to do if it is barbarism? (2025)
Painter: Melinda Erika Dothan
25.
Title: Kandispinde (2025)
Painter: Melinda Erika Dothan
24.
Title: The Secret Teller (2025)
Painter: Melinda Erika Dothan
23.
Title: Fish food (2025)
Painter: Melinda Erika Dothan
22.
Title: What did the poet mean? (2025)
Painter: Melinda Erika Dothan
21.
Painter: Melinda Erika Dothan
20.
Title: The Little Mermaid brought the trophy (2025)
Painter: Melinda Erika Dothan
19.
Title: Julemand's taske (2025)
Painter: Melinda Erika Dothan
18.
Title: Trollkrig or Toldkrig (2025)
Painter: Melinda Erika Dothan
17.
Title: Colorblind (2025)
Painter: Melinda Erika Dothan
16.
Title: The Lunch (2025)
Painter: Melinda Erika Dothan
15.
Title: In memory of the Taxi driver (2025)
Painter: Melinda Erika Dothan
14.
Title: Polip (2025)
Painter: Melinda Erika Dothan
13.
Title: Evil eye (2025)
Painter: Melinda Erika Dothan
12.
Title: Why do witches need pets? (2025)
Painter: Melinda Erika Dothan
11.
Title: Not every mink is black.
In memory of the 2020s minks (2025)
Painter: Melinda Erika Dothan
10.
Title: How to go out (2025)
Painter: Melinda Erika Dothan
9.
Title: Makeover (2025)
Painter: Melinda Erika Dothan
8.
Title: Who can fly? (2025)
Painter: Melinda Erika Dothan
7.
Title: The fjord, which was guarded by a peacock,
a dragonfly, and a bee (2025)
Painter: Melinda Erika Dothan
6.
Title: The hat of the nisse (2025)
Painter: Melinda Erika Dothan
5.
Title: Clairvoyance (2025)
Painter: Melinda Erika Dothan
4.
Title: Blueberry snaps (2025)
Painter: Melinda Erika Dothan
3.
Title: Minecraft (2025)
Painter: Melinda Erika Dothan
2.
Title: The Nurse (2025)
Painter: Melinda Erika Dothan
1.
Title: The Dance (2025)
Painter: Melinda Erika Dothan
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